Sometimes I like speculating about a critical moment. Then I think about the mechanisms of the extinction process, about waiting. I wonder about the problems resulting from the attempt to deeply adapt, resilient and tame mourning. He fantasizes about a vision of a catharsis experience that can happen just after and thanks to a catastrophe. In my practice, I talk about equality between people, focusing at the same time on individual, small and fragile issues. I would like to react to man's imperious attitude towards matter, environmental colonization, the idea of ​​hierarchy. It is quite possible that during a natural change of the state of matter, art will liquefy and be absorbed into the spheres of science, economics and politics, thus presenting its commentary on environmental destruction. By melting, it will become a universal consolation. But the time will come when we think back to the rock paintings of Lascoux, we will all meet in the pastures and harvesting carrots, we will talk about aesthetics, indulge in mesmerizing drawings and sculpt statues of beautiful forms. By smelting my own jewelry, in line with the zero waste idea, I will create an amulet / talisman that will bring me peace at the borderline moment. I would like to repeat the ritual and melt the statue into a different form every decade. Matter itself will be a very important aspect here, having a sunken memory of history, symbolic power and therapeutic power. At the moment, it will be the remains of the mermaid's tail, discarded like a snake's skin, of the debris with spike-like scales to protect the owner from demons (future demons and those who have passed away). The already removed protective layer or worn out armor can be both a liberation and rejection of unnecessary toxins, but also an accumulation of forces necessary at a critical moment.